Single works
Graffito - Oil - Acrylic
Provence Ochre
Charcoal - Ink - Watercolour
demetra
Woman and Mother Earth, nurturer of youth and the green earth, creator of the cycle of seasons, life and death. A universal sister, vegetable and animal soul, rich and generous, immense and strong, transforming and regenerating, resistant and resilient, unwavering and tenacious. Although often beaten, torn and humiliated, she moves forward not to win but to LIVE. To release the purpose of life, to stitch Humanity back together with the breath of Love and Harmony; to teach how to draw with respect and gratitude from the immense and miraculous magnificence that is LIFE. And before leaving the square, let no one leave empty-handed. For the supreme spirit of the 'Dispensing Mother' will not sleep peacefully in the wind until the need of the last of us is satisfied.
Mora, 2023
200x150cm – 78.7″x59″
Graffito on canvas paper
Private collection
SPIRITUS
From an intelligible two-colour drawing of a small child with an innocent and pure unconscious, Mora elaborates his inspiration and translates it into an explosion of colours and technique. The Angel and the Demon are revealed through a few elements with basic shapes; the tones, as well as creating games of depth, also recall the contrasts and overlapping of good and evil, a sort of link between the perfection of the superworld and the imperfection of the material world.
Mora, 2023
290x220cm – 114.2″x82.7″
Oil on canvas
Identità
Through the presence on the canvas, in the foreground, of the close-up central figure, the sense of suspension and recollection that hovers around the very heart of the image is increased; it may seem almost 'playful ' but it is not at all. The dialogue that the artist wants to establish opens up to the sensitive dimension of recognition and diversity, of identity, of how we deal with imperfections and how we perceive ourselves. The body lacking a 'belonging', represents reflection and investigation that traverses the intimate . Space has no limits or boundaries and leads to this lifelong journey of transformation. The work Identity is a manifesto of social and cultural non-identity, a denunciation of contradictions, prejudices and stereotypes.
Mora, 2023
210x200cm – 82.7″x51″
Oil on canvas
WHL0137-LS EARENDEL
It is the most distant single star even observed, 12.9 billion light years from Earth, a massive, hot blue supergiant in the constellation of the Whale, destined to explode as a supernova. Also known as Earendel, the 'rising light' or 'morning star', it is the first star of dawn; not that of an earthly day but that of the entire universe, of which the three works make us imagine hypotheses about its future and its unlimited expansion. Where one can also postulate theories about the infinite cycles of death and rebirth and the existence of other worlds and creatures.
LIVING ROOM
Mora, 2022
220x330cm – 86.6″x130″
Graffiti on cotton canvas
WATER CLOSET
Mora, 2022
200x150cm – 78.7″x59″
Graffito on canvas paper
GOOD MORNING
Mora, 2022
200x150cm – 78.7″x59″
Graffito on canvas paper
DUOMO
Mora, 2022
200x150cm – 78.7″x59″
Ochre and graffito on linen paper
MPB
Mora, 2022
200x150cm – 78.7″x59″
Oil, ochre and graffito on linen paper
CHAMPAGNE SUPERNOVA
How many lives are living strange?
Where were you while we were getting high?
Slowly walking down the hall
Faster than a cannonball
Where were you while we were getting high?
Someday you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Someday you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova in the sky
Wake up the dawn and ask her why
A dreamer dreams, she never dies
Wipe that tear away now from your eye
Slowly walking down the hall
Faster than a cannonball
Where were you while we were getting high?
Someday you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Someday you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova
‘Cause people believe
That they’re gonna get away from the summer
But you and I we live and die
The world’s still spinning around we don’t know why
Why, why, why, why?
How many special people change?
How many lives are living strange?
Where were you while we were getting high?
Slowly walking down the hall
Faster than a cannonball
Where were you while we were getting high?
Someday you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Someday you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova
‘Cause people believe
That they’re gonna get away from the summer
But you and I we live and die
The world’s still spinning around we don’t know why
Why, why, why, why?
How many special people change?
How many lives are living strange?
Where were you while we were getting high?
We were getting high
We were getting high
We were getting high
We were getting high
We were getting high
We were getting high
We were getting high
We were getting high
We were getting high
Mora, 2022
200x150cm – 78.7″x59″
Ochre, oil and graffito on linen paper
ISTANBUL
Mora, 2022
200x150cm – 78.7″x59″
Ochre, oil and graffito on linen paper
NEIGHBORHOOD
Mora, 2022
200x150cm – 78.7″x59″
Oil, ink and graffito on linen paper
GUERRA Y MUERTE
Mora, 2022
200x150cm – 78.7″x59″
Graffito on canvas paper
OPS-HE
Mora, 2022
150×200 cm – 59″x78.7″
Charcoal and graffiti on paper
NEANDERTAL
Mora, 2022
150×100 cm – 59″x39.4″
Graffito on canvas paper
TEATRO
Mora, 2022
150x270cm – 59″x106.3″
Ochre de Provence and oil on paper
EL VIENTO 1
Mora, 2022
100x70cm – 39.4″x27.6″
Watercolour on cotton paper
EL VIENTO 2
Mora, 2022
100x70cm – 39.4″x27.6″
Watercolour on cotton paper
EL VIENTO 3
Mora, 2022
100x70cm – 39.4″x27.6″
Watercolour on cotton paper